The eclipse we will encounter in a year or two
is much greater than the others,
it is the eclipse of one celestial habitation
as it comes in direct
alginment
with the larger force that it encircles,
and that keeps the celestial habitation
in motion,
just like the earth keeps the moon
in motion.
If you can foollow this,
then perhaps you'll be able to see
what I'm trying to say:
at this fabulous intersection,
all of creation (all of which exists
within the realm of Divided Time)
will be eclipsed by the force
that we call god,
and we
here on earth
will be in a position
where we will be gazing in
to God's eye,
as if gazing lengthwise along through the expanse
of the palindrome
of infinity.
And as with any eclipse
of the small
with the larger,
the smaller (we) will be able to see
the outline of the larger
around the the edges of the celestial bodies
between us.
~ ~ ~
The thing is:
the Unknown and Unknowable contains
the very force that produced
US,
and, well, we're about to have a good look at each other.
~ ~ ~ ~
And since we are, in essence,
a product of It, well,
the Unknown, the Unknowable, the Vast Emptyness
That is Everything Other Than Us
(let's just call that God, for the lack
of a better word),
so when God encounters us,
it will look upon us a bit
like a father looks at a son. And if
S/He is not pleased
with what it sees,
well,
we may be screwed.
We are, after all,
just a product of division.
Yes.
For the One to Produce Many,
it must Divide.
Because one
cannot produce another one,
and remain the Only One. No;
at that point when One becomes Two
it inevitably also become Three and Four and
on to Eternity
which is
12212012
or thereabouts.
Now,
the actual period of time
in our time
which summarizes
and translates the amount of time
that it takes NoTime to react to its perception of
All Time
is approxiamately four days,
give or take an hour or two,
and that four day juncture
that includes 12212012
will be kind of rough,
because for a brief
period of time,
when No Time meets All Time
we'll be in a state of,
well,
Frozen Time,
and there won't be much
we'll be able to do about it,
except wait,
and it will seem like an eternity,
but it will really only be
four days,
give or take a minute or two,
and when
the big that after The Four Days occurs,
well,
we'll know the outcome
of the encounter of the All and Its Reproduction (aka US),
and those of us who survive
the intense interrogation
of Self against Self,
will be in a time beyond eternity,
and in that time,
we'll finally realize
how insignificant
significance
really is.
The problem with maps like these is that
they exist on one dimension.
Map makers over time
have attempted to add
a second dimension
with drawings that indicated
either elevations in the land
or human monuments:
3.
Perhaps the most
significant artistic development
in extending our perception of grids
while also refining our ability
to reproduce reality accurately
was the development of perspective drawing, and the concept of the
vanishing point
Fundamentally, the vanishing point
is the artistic expression
of the limitations of
a single glance.
Think about it this way:
it's as if the bird hovering over the one dimensional map
landed on one of those roads, and looked
down its length;
the vanishing point is the place where
the road disappears
on the horizon.
As the Wikipedia article I link to above explains,
you can suggest a bit more complexity with
two-point perspective
(ie: with imagining there are two points
on the horizon, in two different places
where the line disappears.)
and produce depth with
three-point perspective:
(I must credit Wikipedia for these drawings;
please follow the link above for more details.)
~ ~ ~
Notably, when we get into the realm
of the three dimensions,
it's as if we're taking that flat,
one dimensional
map impression
and lifting it up,
adding grid upon grid above it
and acknowledging that those grids
extend in a limitless fashion
beyond the range of our vision;
we're using the
multiple grid layers
to provide
a scaffolding
for creating
a multi-dimensioned
representation:
This is ultimately
the logic
of the Second Life Grid.
4. Now what on God's earth,
I suspect you're wondering, is she going to do with this?
Why has she gone through this rather elaborate contemplation on grids, representation and maps?
Well, I'll tell ya' -
I do this partly because it kind of
amuses me.
I love to take an idea and tease it out
and see where it might take me.
But also,
there is this matter of the
Grid
and the Four Days of the Grid
The only part of this message that I'm a little blurry on
is the word "days." I am certain the voice said
"days," but I interpreted it as "age"
because "days" didn't make sense to me.
At that time.
More on that later.
But in any event, there is the number 4,
and the idea of the Grid,
and to me this suggests
stages of development
in the Grid
and in the technology
it has produced.
Whether we like it or not,
we live in
The Age of The Grid
right now.
I have contemplated elsewhere
how the Grid Ages
could very well have to do with
the various Ages of Artistic representation;
Second Life ups the ante on that idea.
Because Second Life
is a domain where humans have used the technology of the grid
to produce another living space,
a virtual living space
that we can traverse,
and actually, if we so desire,
create a better life than the one we have.
We could perhaps
correct the mistakes that we made on this domain
or fight the wars that would be better if fought
in a virtual domain.
Could Jesus come
in Second Life?
Or perhaps
via
Second Life?
Hmmmm
now that would be unexpected,
wouldn't it?
I guess it all comes down
to how you define
Jesus.